https://mingyuehtsai.org Ming-yueh Tsai - 蔡 明 岳 Mon, 24 Feb 2025 08:17:10 +0000 https://mingyuehtsai.org en https://mingyuehtsai.org/Home Fri, 19 Jan 2024 17:05:36 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/Home <img width="3334" height="3334" width_o="3334" height_o="3334" data-src="https://freight.cargo.site/t/original/i/8a1cd9b35e8fcf0396cf48af6d964ee08edd038a5add42b9f4f4d7ebc24b1ca2/_banner__800x800.png" data-mid="222649961" border="0" src="https://freight.cargo.site/w/1000/i/8a1cd9b35e8fcf0396cf48af6d964ee08edd038a5add42b9f4f4d7ebc24b1ca2/_banner__800x800.png" /> <img width="709" height="1063" width_o="709" height_o="1063" data-src="https://freight.cargo.site/t/original/i/5a9aa5a4c83f5fea10d2a6f3a98ad10c1501ecb93b2270c372977797e77c90f8/.jpg" data-mid="222649976" border="0" data-scale="57" src="https://freight.cargo.site/w/709/i/5a9aa5a4c83f5fea10d2a6f3a98ad10c1501ecb93b2270c372977797e77c90f8/.jpg" /> <img width="2250" height="2812" width_o="2250" height_o="2812" data-src="https://freight.cargo.site/t/original/i/119dd2e885a176ab2f8efea62254a01c1ba7ca049d0aff0c089bde203d6a3fad/_BN_IG.jpg" data-mid="241821967" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/119dd2e885a176ab2f8efea62254a01c1ba7ca049d0aff0c089bde203d6a3fad/_BN_IG.jpg" /> https://mingyuehtsai.org/Guide Fri, 19 Jan 2024 17:45:50 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/Guide A Guide 雙頻道錄像 Dual-channel film 7’38’’ 2021 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/73d925b707fcf223fc7f555f3c326c989759bc90651febff8e319594501452ec/vlcsnap-2024-01-20-01h30m53s268.png" data-mid="202243008" border="0" src="https://freight.cargo.site/w/1000/i/73d925b707fcf223fc7f555f3c326c989759bc90651febff8e319594501452ec/vlcsnap-2024-01-20-01h30m53s268.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/13ca9a345e2fbd5066d225f5f3e1ff6ea04d5bfa516222b8ed9750ce167f1ff7/vlcsnap-2024-01-20-01h30m03s037.png" data-mid="202243002" border="0" src="https://freight.cargo.site/w/1000/i/13ca9a345e2fbd5066d225f5f3e1ff6ea04d5bfa516222b8ed9750ce167f1ff7/vlcsnap-2024-01-20-01h30m03s037.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/01e425c8d208e7556b42a94c97d81ad6e595d28f675fd0806599a1a41086c40e/vlcsnap-2024-01-20-01h29m40s760.png" data-mid="202242996" border="0" src="https://freight.cargo.site/w/1000/i/01e425c8d208e7556b42a94c97d81ad6e595d28f675fd0806599a1a41086c40e/vlcsnap-2024-01-20-01h29m40s760.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/686a827f079ce6f46497723c37f1f8cb0ffcd16713044e126010bcd644a852ad/vlcsnap-2024-01-20-01h29m19s712.png" data-mid="202242990" border="0" src="https://freight.cargo.site/w/1000/i/686a827f079ce6f46497723c37f1f8cb0ffcd16713044e126010bcd644a852ad/vlcsnap-2024-01-20-01h29m19s712.png" /> A Guide 錄像主要是藉著對「尋龍尺」的重新操作與行走，重新設置城市邊界的閱讀方式。城市經濟擴張與文化價值各自表述的現況屢見不鮮，拉扯的張力有時候形成了一個虛構的對話。以一本尋龍尺的教學作為開端，將臺南市南區邊界作為演練場所，在被誤用的尋龍尺操作下，豪宅、墳墓、機場、學校、河流、叢林構成了現代城市寓言。 The video "A Guide" primarily utilizes the reenactment and walking with the "Dowsing Rod" as a method to reinterpret urban boundaries. The juxtaposition of urban economic expansion and cultural values is a common sight, where the tension between them sometimes forms an imagined dialogue. Starting with a tutorial on the Dragon Seeking Ruler, the southern boundary of Tainan city serves as the practice ground. Under the misused operations of the ruler, luxury houses, tombs, airports, schools, rivers, and jungles come together to form a modern urban parable. https://mingyuehtsai.org/RB-V-18-05 Fri, 19 Jan 2024 17:45:25 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/RB-V-18-05 &nbsp; RB-V-18-05&nbsp; Single channel film 6’35’’ &amp; 4’37’ 2021-2022 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/550e60a93f29a87a95a3831f98657e3d6d8f8f4ce2c515b7b569c87cdd0792e3/vlcsnap-2024-01-20-01h17m40s311.png" data-mid="202244689" border="0" src="https://freight.cargo.site/w/1000/i/550e60a93f29a87a95a3831f98657e3d6d8f8f4ce2c515b7b569c87cdd0792e3/vlcsnap-2024-01-20-01h17m40s311.png" /> 「二○二一年九月，為了記錄土丘，我跟著考古館的遺址巡查員在南科園區來回。巡查員每日固定兩班進行巡查，為的是確認那些已經被填平 的遺址，其表層是否遭到破壞，以及新工程的開挖深度是否會影響到遺 址。巡查成為了開發與遺址間的平衡機制。南科地景就建構在巡查員開 的銀色公差車穿梭的路線中。彼時，車上的廣播電台與工地現場的機器 聲交錯，偶爾巡查員會把車停下，示意我看看這處的風景。」 在變動的環境裡，「土丘」常作為「計劃外」的存在，既短暫又臨時， 卻又與空間的挪動息息相關。它不只是遮蔽而已，更建構了一幅新的景觀。 "In September 2021, to explore the mounds in Tainan Science Park region, I followed the site ranger of the Museum of Archaeology around the place. The ranger conducted two regular shifts each day to check if the surface of the filled sites is intact and the depth of the new excavation would affect the sites. The ranger has become a mechanism to balance the development and the heritage. My perception of Tainan Science Park's landscape is then built along the route of the ranger's silver car. During the trip, the radio on the car and the sound of machines on the construction site intertwined with each other. Occasionally the ranger would stop the car and show me the landscape.” In a changing environment, the "mound" often acts as an "unplanned" presence, transient and temporary, yet closely related to the movement of space. It is not just a shelter, but also a new landscape. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c3bb0c27a6916b2ffca23bf46b128aa734a985f3cf004be4919a11945a49be3b/vlcsnap-2024-01-20-01h16m52s711.png" data-mid="202244718" border="0" src="https://freight.cargo.site/w/1000/i/c3bb0c27a6916b2ffca23bf46b128aa734a985f3cf004be4919a11945a49be3b/vlcsnap-2024-01-20-01h16m52s711.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3f5799c407e8e20a9de9f53148e2fd9937422331670727e7fbcde5bff79ed59b/vlcsnap-2024-01-20-01h16m37s302.png" data-mid="202244713" border="0" src="https://freight.cargo.site/w/1000/i/3f5799c407e8e20a9de9f53148e2fd9937422331670727e7fbcde5bff79ed59b/vlcsnap-2024-01-20-01h16m37s302.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bfa2caa8902f4a090f7b94801cb8701c8f65bda0494f552dffa6fd6f1a510214/vlcsnap-2023-12-22-11h25m35s761.png" data-mid="202244711" border="0" src="https://freight.cargo.site/w/1000/i/bfa2caa8902f4a090f7b94801cb8701c8f65bda0494f552dffa6fd6f1a510214/vlcsnap-2023-12-22-11h25m35s761.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6fa1dfe55944bccfc49c7104ac9d8f2b105a21d69e2bcc819d6cf30481239433/vlcsnap-2023-12-22-11h24m35s178.png" data-mid="202244710" border="0" src="https://freight.cargo.site/w/1000/i/6fa1dfe55944bccfc49c7104ac9d8f2b105a21d69e2bcc819d6cf30481239433/vlcsnap-2023-12-22-11h24m35s178.png" /> <img width="2432" height="1616" width_o="2432" height_o="1616" data-src="https://freight.cargo.site/t/original/i/861c24b8515d7a8f6e283a1ee784134432a06b2fde6edc1f159c67af7f5dedfd/RBV-18-05-.png" data-mid="202244709" border="0" src="https://freight.cargo.site/w/1000/i/861c24b8515d7a8f6e283a1ee784134432a06b2fde6edc1f159c67af7f5dedfd/RBV-18-05-.png" /> https://mingyuehtsai.org/34124074 Sat, 23 Sep 2023 14:18:56 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/34124074 &nbsp; 填回台積山 Refill tai-ji-shan 藝術微噴輸出、FRP、黑結土、塑膠盆 Fine Art Printing, FRP, Soil, plastic basin 2022 <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/4f3d8f350c6fa261905ec12bc4414a75dd924c99d4f18ebd9833ffc019e895ee/4488.jpg" data-mid="202244827" border="0" src="https://freight.cargo.site/w/1000/i/4f3d8f350c6fa261905ec12bc4414a75dd924c99d4f18ebd9833ffc019e895ee/4488.jpg" /> <img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/2c65bed5a45db6e518747181aaeae670e2a7749fdde7ea483c3a37acfbdc347d/20221130--s063.jpg" data-mid="202244819" border="0" src="https://freight.cargo.site/w/1000/i/2c65bed5a45db6e518747181aaeae670e2a7749fdde7ea483c3a37acfbdc347d/20221130--s063.jpg" /> <img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/c706d9a1cf4e31c3533f685aa6e31de675172d898f4e166a17a64bd96bdd6822/20221130--s066.jpg" data-mid="202244842" border="0" src="https://freight.cargo.site/w/1000/i/c706d9a1cf4e31c3533f685aa6e31de675172d898f4e166a17a64bd96bdd6822/20221130--s066.jpg" /> 在南科有一座山丘，隨著這裡的開發而持續增長，當地考古人員稱它為「台積山」。這座山被圍在施工鐵皮內，不能任意靠近。我透過跟隨考古巡查人員，在短暫巡視遺址的時間內捕捉局部景象，並使用這些碎片般的影像，將台積山重新拼湊與雕塑而出。 In Tainan Science Park, there's a hill that has continuously grown with the development of the area. Local archaeologists call it "TSMC Hill." This mound is enclosed within construction barriers, and one cannot easily approach it. By accompanying archaeological inspectors, I captured fleeting glimpses of the site during brief visits. Using these fragmented images, I've reassembled and sculpted a representation of TSMC Hill. <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/360f25b2a58f5f18ee334eb3f332cbbcdfcf7c873a845132090ceb13be1ebd0b/vlcsnap-2023-01-29-16h01m42s260.png" data-mid="202244821" border="0" src="https://freight.cargo.site/w/1000/i/360f25b2a58f5f18ee334eb3f332cbbcdfcf7c873a845132090ceb13be1ebd0b/vlcsnap-2023-01-29-16h01m42s260.png" /> <img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/86b56f9201d649837dd8c8a165ac61cf5a683eea1156f9bbc8add86f523caafd/0651.jpg" data-mid="202244826" border="0" src="https://freight.cargo.site/w/1000/i/86b56f9201d649837dd8c8a165ac61cf5a683eea1156f9bbc8add86f523caafd/0651.jpg" /> <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/101a91f4f3fce9ec882316c65f2c6d8956bd6c7f4b86d743ba1be325d2cfedfe/0635.jpg" data-mid="202244824" border="0" src="https://freight.cargo.site/w/1000/i/101a91f4f3fce9ec882316c65f2c6d8956bd6c7f4b86d743ba1be325d2cfedfe/0635.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/9ead804ccb9e5848f92687cd0377bcf2afa25e39099e55ca3eb23ceac0f20ddf/vlcsnap-2023-01-29-16h11m01s189.png" data-mid="202244823" border="0" src="https://freight.cargo.site/w/1000/i/9ead804ccb9e5848f92687cd0377bcf2afa25e39099e55ca3eb23ceac0f20ddf/vlcsnap-2023-01-29-16h11m01s189.png" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/878f96c7e887d456f76fa1e485e565cf05f9a0415a3b132c8f7932a12391df83/vlcsnap-2023-01-29-16h03m34s631.png" data-mid="202244822" border="0" src="https://freight.cargo.site/w/1000/i/878f96c7e887d456f76fa1e485e565cf05f9a0415a3b132c8f7932a12391df83/vlcsnap-2023-01-29-16h03m34s631.png" /> https://mingyuehtsai.org/25CM-LINE-GUA-SHA-ON-3-FRIENDS-ON-SCREEN Fri, 19 Jan 2024 17:46:09 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/25CM-LINE-GUA-SHA-ON-3-FRIENDS-ON-SCREEN 25CM LINE GUA-SHA ON 3 FRIENDS&nbsp; ON SCREEN 單頻道錄像、桌子、檯燈 Single channel film, desk, lamp 4’25’’&nbsp; &nbsp; 2023 <img width="1456" height="1090" width_o="1456" height_o="1090" data-src="https://freight.cargo.site/t/original/i/a3f4887ccd93da8eb3eff305f88bf078ec917947a0168905d68bc18d4699aea3/25CM-LINE-GUA-SHA-ON-3-FRIENDS--ON-SCREEN-1.jpg" data-mid="202244884" border="0" src="https://freight.cargo.site/w/1000/i/a3f4887ccd93da8eb3eff305f88bf078ec917947a0168905d68bc18d4699aea3/25CM-LINE-GUA-SHA-ON-3-FRIENDS--ON-SCREEN-1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f34041c2d68f0d9ec33052fe49ca4d620cde821710af4d3f26baf203dd288579/vlcsnap-2024-01-20-01h36m32s177.png" data-mid="202244886" border="0" src="https://freight.cargo.site/w/1000/i/f34041c2d68f0d9ec33052fe49ca4d620cde821710af4d3f26baf203dd288579/vlcsnap-2024-01-20-01h36m32s177.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2e56a472282e80c4946acfe68d3c6408019a7e0de9e76709177ef2c7b4d89461/vlcsnap-2024-01-20-01h37m34s244.png" data-mid="202244889" border="0" src="https://freight.cargo.site/w/1000/i/2e56a472282e80c4946acfe68d3c6408019a7e0de9e76709177ef2c7b4d89461/vlcsnap-2024-01-20-01h37m34s244.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3cdc1eac3930a0162bf4f46fe1d206eb74c2f350d24f47562e6af1160096b90e/vlcsnap-2024-01-20-01h37m16s670.png" data-mid="202244888" border="0" src="https://freight.cargo.site/w/1000/i/3cdc1eac3930a0162bf4f46fe1d206eb74c2f350d24f47562e6af1160096b90e/vlcsnap-2024-01-20-01h37m16s670.png" /> 衍生至疫情期間的「刮痧」工作坊。工作坊舉辦在線上視訊系統，藉由分享個人的刮痧經驗，讓參與者在螢幕的另外一頭，尋找類似的身體感受。最後三位參與者再一同將刮痧成果組合成一條在我的螢幕上總長25公分的刮痧線。此計畫透過必須要兩人才能完成的「刮痧」行為，去討論「視訊」在當下生活裡所建立起來的溝通樣貌。 The workshop on "Gua Sha" (scraping therapy) evolved during the pandemic. Hosted on an online video system, it involved sharing personal experiences with Gua Sha, allowing participants on the other end of the screen to search for similar bodily sensations. Ultimately, three participants combined their scraping results to form a Gua Sha line that was 25 cm long on my screen. Through the "Gua Sha" practice, which requires two individuals to complete, this project discusses the communication patterns established by "video conferencing" in contemporary life. https://mingyuehtsai.org/Search-for-Hang-out-together Fri, 19 Jan 2024 17:45:35 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/Search-for-Hang-out-together Search for “Hang out together” 單頻道錄像 Single channel film 14’04’’ 2023 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3aabb5d0589fe964dc30884fccb590757b8bfc3c4e1d73291191e7eef4df0ebc/vlcsnap-2024-01-20-01h10m48s739.png" data-mid="202245033" border="0" src="https://freight.cargo.site/w/1000/i/3aabb5d0589fe964dc30884fccb590757b8bfc3c4e1d73291191e7eef4df0ebc/vlcsnap-2024-01-20-01h10m48s739.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/685c1675640ef3d96212e0fd6799036e6406e1be7c6ecb8e5dd1994ec14ff798/vlcsnap-2024-01-20-01h10m26s131.png" data-mid="202245032" border="0" src="https://freight.cargo.site/w/1000/i/685c1675640ef3d96212e0fd6799036e6406e1be7c6ecb8e5dd1994ec14ff798/vlcsnap-2024-01-20-01h10m26s131.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fd0068d9c26f4c8b59165174e4402a94566656b11fae060c21c57120a1d48d32/vlcsnap-2024-01-20-01h10m15s676.png" data-mid="202245031" border="0" src="https://freight.cargo.site/w/1000/i/fd0068d9c26f4c8b59165174e4402a94566656b11fae060c21c57120a1d48d32/vlcsnap-2024-01-20-01h10m15s676.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4a1b917c9474cf5d21478c4e3435d2a96b464d9810f91e25bc4fbce3b7cd6437/vlcsnap-2024-01-20-01h10m05s493.png" data-mid="202245024" border="0" src="https://freight.cargo.site/w/1000/i/4a1b917c9474cf5d21478c4e3435d2a96b464d9810f91e25bc4fbce3b7cd6437/vlcsnap-2024-01-20-01h10m05s493.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f1b9e29d923541534b340ff8c2ac648fed16fc03cdb44902df43f66363162c4d/vlcsnap-2024-01-20-01h11m04s036.png" data-mid="202245028" border="0" src="https://freight.cargo.site/w/1000/i/f1b9e29d923541534b340ff8c2ac648fed16fc03cdb44902df43f66363162c4d/vlcsnap-2024-01-20-01h11m04s036.png" /> 從卡塞爾回到台灣後，第十五屆文件展提到的詞彙–「nongkrong」(Hang out together)，一直讓我耿耿於懷。「一起出去玩」如何成為藝術實踐的方法或是精神？進而開始尋找自己生活中的「休閒」與「閒晃」時刻。 「Search for “Hang out together”」由一連串「多人一起出遊」的畫面所構成，無法知道他們的目的地為何，也不知道他們為何聚集在一起。只知道這些畫面試圖表現出「放鬆」、「愉快」、「關係熱絡」，並且也會藉由肢體的碰觸、延展，甚至是莫名的跑動去滿足情境。這些是我從各大網路影音素材庫中搜尋「Hang out together」的成果，它們多被安插在廣告中增加美好的氛圍，以鼓勵購買的慾望。 搜集這些影像時，我時常懷疑著「一起出去玩」有辦法被演出來嗎？當我們認真凝視或表現時，是不是就已經不再是「一起出去玩」了；但當它們成為主要影像內容，是真正的無所目的，然後我們開始發現多久沒有 Hang out together。 After returning from Kassel to Taiwan, the vocabulary mentioned in the 15th Documenta exhibition – "nongkrong" (Hang out together) has lingered in my mind. How does the phrase "let's go out and play together" become a method or spirit of artistic practice? This led me to explore the moments of "leisure" and "hanging out" in my own life. "Search for 'Hang out together'" is composed of a series of scenes depicting "group outings," with the destination and purpose of their gathering remaining unknown. All that is evident is their attempt to convey a sense of "relaxation," "joy," and "warm relationships." Through physical touches, stretches, and even inexplicable running, these scenes seek to fulfill a certain atmosphere. These images are the results of my search for "Hang out together" in various online video repositories, often embedded in advertisements to enhance a positive atmosphere and encourage the desire to purchase. While collecting these images, I often wondered if the act of "going out together" could be performed. When we gaze earnestly or present it seriously, does it cease to be "hanging out together"? However, when they become the main content of images, embodying a genuine aimlessness, we start to realize how long it has been since we truly hung out together. https://mingyuehtsai.org/Archive-Room-Retrieval-Project Mon, 24 Feb 2025 08:17:10 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/Archive-Room-Retrieval-Project 檔案室復原計畫 | Archive Room Retrieval Project2024 文件、檔案、現地製作&nbsp;Documents,Archives,Site-specific Installation 依場地而定&nbsp;Varies depending on the venue <img width="4518" height="3012" width_o="4518" height_o="3012" data-src="https://freight.cargo.site/t/original/i/641fd1d081601090e8b4f09a259d9b5e3a3dfa835df9a9abf6089b0583b78b25/DSC06008.JPG" data-mid="227113945" border="0" src="https://freight.cargo.site/w/1000/i/641fd1d081601090e8b4f09a259d9b5e3a3dfa835df9a9abf6089b0583b78b25/DSC06008.JPG" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/1fc8c4f2ae086e11aeff5371779cce8939f5d4ae17609f48209936b52eb00d4d/DSC06233.jpg" data-mid="227172868" border="0" src="https://freight.cargo.site/w/1000/i/1fc8c4f2ae086e11aeff5371779cce8939f5d4ae17609f48209936b52eb00d4d/DSC06233.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/0a3e1f0fb851b54acec6aec31f65bad24ccdbf7b23b48efc7764f19182fadf90/DSC06265.jpg" data-mid="227172870" border="0" src="https://freight.cargo.site/w/1000/i/0a3e1f0fb851b54acec6aec31f65bad24ccdbf7b23b48efc7764f19182fadf90/DSC06265.jpg" /> 台南文化中心地下一樓有一間從不對外開放的「儲藏室」。存放了40年來從各處室移放的檔案文件、書籍、器具，內容廣泛，除了中心的展覽與活動成果、其他館舍的出版物，還有許多涵蓋各種面向、無法追溯其來源的書籍。它們呈現了各時期館舍的運作方式，也留下了可追溯的文化活動樣貌。並且不同擺放與堆疊的方式建立起儲藏室複雜的景觀，隨機的置放方式也產生許多巧妙關係。藝術家期待儲藏內容可以成為被搜尋與提取的訊息，但整理與建檔往往是一件繁瑣、耗時且需要人力的事情。 《檔案室復原計劃》借用了展期時間，持續產生瀏覽儲藏室的機會。 在展覽中成立了一個展期限定的單位，運作了一套調閱儲藏室內容物的方法。將儲藏室的空間模樣（透過與 木直牛勿 / plant practice 合作，hsin 提供了地理觀點與畫作）與物件被收納的形式（例如：純粹堆疊、綑綁、封箱、堆積於架上等）建立出一套「索引與分類規則」。 觀眾參與申請調閱，將收到一份我代為探尋的過程紀錄，並也可以前往展場調閱室現場翻閱。但其實，這套規則也只是讓我們片段經歷空間中任意擺放的隨機性。在生活充滿無數資料庫、各種索引與搜尋規則，甚至政府鼓勵與推廣下，這時候儲藏室裡隨機擺放、堆疊下產生的巧妙遭遇與連結， 一種不建制的創造性？ 地景繪製：木直牛勿hsin <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/6c152bbba2750849701661142b17592038a161210c2584d544a47b9cdf9eaa55/DSC06263.jpg" data-mid="227172935" border="0" src="https://freight.cargo.site/w/1000/i/6c152bbba2750849701661142b17592038a161210c2584d544a47b9cdf9eaa55/DSC06263.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/17549d1569413f654bca4b7ffc64685e7d328461e81a90b2970566b4421d1051/DSC06264.jpg" data-mid="227172938" border="0" src="https://freight.cargo.site/w/1000/i/17549d1569413f654bca4b7ffc64685e7d328461e81a90b2970566b4421d1051/DSC06264.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/6f7a64b4dfe60b899911905e89340880c4ac4f79d8292e97fd7a1a5cac45b46a/DSC06262.jpg" data-mid="227172937" border="0" src="https://freight.cargo.site/w/1000/i/6f7a64b4dfe60b899911905e89340880c4ac4f79d8292e97fd7a1a5cac45b46a/DSC06262.jpg" /> <img width="2481" height="3509" width_o="2481" height_o="3509" data-src="https://freight.cargo.site/t/original/i/c4ac9c3599d3899da5f73e9193f446794a576fc3adf3b45292c4ba7c3f28f341/.jpg" data-mid="227175556" border="0" src="https://freight.cargo.site/w/1000/i/c4ac9c3599d3899da5f73e9193f446794a576fc3adf3b45292c4ba7c3f28f341/.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/731555c93979f84e496d03852d8d26f35ba913908aceae4eb8b6d02cb4a0f9de/DSC06271.jpg" data-mid="227172940" border="0" src="https://freight.cargo.site/w/1000/i/731555c93979f84e496d03852d8d26f35ba913908aceae4eb8b6d02cb4a0f9de/DSC06271.jpg" /> <img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/a6bca635b96988d839c063a17ea52efef2c15bb5aab086cc1de391fe0a85d08a/DSC05906.JPG" data-mid="227173362" border="0" src="https://freight.cargo.site/w/1000/i/a6bca635b96988d839c063a17ea52efef2c15bb5aab086cc1de391fe0a85d08a/DSC05906.JPG" /> <img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/f3e5ff652a5b3626cef9f356afb15425fa813661014bb1a134a76e10f038836f/DSC05572.JPG" data-mid="227173359" border="0" src="https://freight.cargo.site/w/1000/i/f3e5ff652a5b3626cef9f356afb15425fa813661014bb1a134a76e10f038836f/DSC05572.JPG" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/6ff2a3837066c4f1520f6c58f2d5401a3f364d8d392d7bc13b4d8de9edbf3fcb/-Canyon.jpg" data-mid="227175541" border="0" src="https://freight.cargo.site/w/1000/i/6ff2a3837066c4f1520f6c58f2d5401a3f364d8d392d7bc13b4d8de9edbf3fcb/-Canyon.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/04d0c99c2aa5579649b4a2ce8c674218f2b559fcf9fec00cde0760ab1953026e/-Alluvial-Fan.jpg" data-mid="227175542" border="0" src="https://freight.cargo.site/w/1000/i/04d0c99c2aa5579649b4a2ce8c674218f2b559fcf9fec00cde0760ab1953026e/-Alluvial-Fan.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/adbdf85eae7addf7a600bd2dba132e5bec6d949dc7ba154628121a54dddbc118/-Cluster-of-Peaks-1.jpg" data-mid="227175544" border="0" src="https://freight.cargo.site/w/1000/i/adbdf85eae7addf7a600bd2dba132e5bec6d949dc7ba154628121a54dddbc118/-Cluster-of-Peaks-1.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/d5aeb30bbe8e71b1415c99ca6ce79918af8fe5ae31a49d5c17c81c23699413cd/-Cluster-of-Peaks-2.jpg" data-mid="227175545" border="0" src="https://freight.cargo.site/w/1000/i/d5aeb30bbe8e71b1415c99ca6ce79918af8fe5ae31a49d5c17c81c23699413cd/-Cluster-of-Peaks-2.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/0ec6315d71572bc7648105bf23caf449ef50adb403e47ded59d0b7532140927f/-Cluster-of-Peaks-3.jpg" data-mid="227175546" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/0ec6315d71572bc7648105bf23caf449ef50adb403e47ded59d0b7532140927f/-Cluster-of-Peaks-3.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/4990d076ba46725212547ece1fc4771daa01f31486bc078426a1f9b61749eaff/-Mountain-foothills.jpg" data-mid="227175543" border="0" src="https://freight.cargo.site/w/1000/i/4990d076ba46725212547ece1fc4771daa01f31486bc078426a1f9b61749eaff/-Mountain-foothills.jpg" /> The method of randomly placing documents within the storage room and the appearance of the space are classified and named to establish an index. The public is not retrieving the books themselves, but rather "the form in which they are stored." On the basement floor of the Tainan Cultural Center, there is a "storage room" that has never been open to the public. It houses a wide range of archived documents, books, and tools that have been relocated from various offices over the past 40 years. The contents are extensive, including not only the results of exhibitions and activities held at the center but also publications from other venues and many books covering various aspects that cannot be traced back to their origins. These items reflect the operational methods of the venues in different periods and provide a traceable glimpse into the cultural activities of the past. The different placement and stacking methods create a complex landscape within the storage room, and the random arrangement also generates many clever relationships. The artist hopes that the contents of the storage can become searchable and retrievable information, but organizing and cataloging is often a tedious, time-consuming, and labor-intensive task. The "Archive Room Retrieval Project" utilizes the exhibition period to continuously create opportunities to browse the storage room. A temporary unit is established during the exhibition to operate a method for accessing the contents of the storage room. The spatial appearance of the storage room (through collaboration with plant practice, hsin provided geographical perspectives and paintings) and the forms in which objects are stored (e.g., pure stacking - Pile, bundling - Bundle, sealing - Sealed, stacking on shelves - Stacked) are used to establish a set of "indexing and classification rules." Visitors participate by applying for retrieval and will receive a record of the exploration process on their behalf. They can also visit the on-site retrieval room in the exhibition venue to browse the materials. However, in reality, these rules only allow us to experience fragments of the randomness of arbitrary placement within the space. In a life filled with countless databases, various indexing and search rules, and even government encouragement and promotion, the clever encounters and connections that arise from the random placement and stacking in the storage room at this time - a kind of creativity born from the lack of structure? Landscape Illustration: 木直牛勿 hsin <img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/0018166297e64b5aeca141271c9717498709d89ab0e6cc090ea21419eab03130/DSC00195.JPG" data-mid="227175661" border="0" src="https://freight.cargo.site/w/1000/i/0018166297e64b5aeca141271c9717498709d89ab0e6cc090ea21419eab03130/DSC00195.JPG" /><img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/ba661632f8375f7707c68b07c98e4270db4a1308deba6ba8c20ce3e9ade13ac8/DSC06240.jpg" data-mid="227175736" border="0" src="https://freight.cargo.site/w/1000/i/ba661632f8375f7707c68b07c98e4270db4a1308deba6ba8c20ce3e9ade13ac8/DSC06240.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/b07e0d2ff082413f55a7e48a4f3998f9a8d52bdcf359dcb08d8eee852d5819ab/DSC06280.jpg" data-mid="227175714" border="0" src="https://freight.cargo.site/w/1000/i/b07e0d2ff082413f55a7e48a4f3998f9a8d52bdcf359dcb08d8eee852d5819ab/DSC06280.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/f92589b72088210d37985e4d4f88ae24944e544f27d197fe6c49ac771561df02/DSC06279.jpg" data-mid="227175713" border="0" src="https://freight.cargo.site/w/1000/i/f92589b72088210d37985e4d4f88ae24944e544f27d197fe6c49ac771561df02/DSC06279.jpg" /> <img width="2336" height="3504" width_o="2336" height_o="3504" data-src="https://freight.cargo.site/t/original/i/ac42e7cc85ee377fef2e93e9b3aee05a5b3b5ceb5e5279fd3e20b4d13c8fba65/DSC06236.jpg" data-mid="227175681" border="0" src="https://freight.cargo.site/w/1000/i/ac42e7cc85ee377fef2e93e9b3aee05a5b3b5ceb5e5279fd3e20b4d13c8fba65/DSC06236.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/eab131f4d30e6c199bc98a91753c0f95c1acbb24060fd2efbc367cceb5bf8038/DSC06257.jpg" data-mid="227175710" border="0" src="https://freight.cargo.site/w/1000/i/eab131f4d30e6c199bc98a91753c0f95c1acbb24060fd2efbc367cceb5bf8038/DSC06257.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/9b9d9aa0b04b59a09c03611e631ddacb8909c7d5800d8b6d85b40d9f2f361170/DSC06256.jpg" data-mid="227175708" border="0" src="https://freight.cargo.site/w/1000/i/9b9d9aa0b04b59a09c03611e631ddacb8909c7d5800d8b6d85b40d9f2f361170/DSC06256.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/1dc0108c15eabb37d1228a525112ca1e4fa92f58f9ba3a59ab8fbff814bd3a17/DSC06255.jpg" data-mid="227175707" border="0" src="https://freight.cargo.site/w/1000/i/1dc0108c15eabb37d1228a525112ca1e4fa92f58f9ba3a59ab8fbff814bd3a17/DSC06255.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/e0c011abdf28d53665bfebdf8cd5b75ac11f597570a106c90280f8e77f3585ef/DSC06251.jpg" data-mid="227175706" border="0" src="https://freight.cargo.site/w/1000/i/e0c011abdf28d53665bfebdf8cd5b75ac11f597570a106c90280f8e77f3585ef/DSC06251.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/ed4ae4602cf3d6630bdaa6bd3391a7bdcfde74481fac9ed0881a0c341083b1b4/DSC06250.jpg" data-mid="227175704" border="0" src="https://freight.cargo.site/w/1000/i/ed4ae4602cf3d6630bdaa6bd3391a7bdcfde74481fac9ed0881a0c341083b1b4/DSC06250.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/b70591a6b20a296a71f5d38666a7b1f79fa99aa317d5c35dfbb34d1d4947f27e/DSC06243.jpg" data-mid="227175702" border="0" src="https://freight.cargo.site/w/1000/i/b70591a6b20a296a71f5d38666a7b1f79fa99aa317d5c35dfbb34d1d4947f27e/DSC06243.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/df9b2f1976b57eef7f67a298342a490f9c05715499f4ebc43e73669b3ef2eb33/DSC06241.jpg" data-mid="227175700" border="0" src="https://freight.cargo.site/w/1000/i/df9b2f1976b57eef7f67a298342a490f9c05715499f4ebc43e73669b3ef2eb33/DSC06241.jpg" /> <img width="2336" height="3504" width_o="2336" height_o="3504" data-src="https://freight.cargo.site/t/original/i/2b858b08536272cc94e065d5b96ff3342426fc88cc3c1509c0d07976e37f6e83/DSC06278.jpg" data-mid="227175712" border="0" src="https://freight.cargo.site/w/1000/i/2b858b08536272cc94e065d5b96ff3342426fc88cc3c1509c0d07976e37f6e83/DSC06278.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/8f60833b94c82be0b8988cce1bfce630775663d337f37f4efa9c6cf668f78f33/DSC06240.jpg" data-mid="227175698" border="0" src="https://freight.cargo.site/w/1000/i/8f60833b94c82be0b8988cce1bfce630775663d337f37f4efa9c6cf668f78f33/DSC06240.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/4984b5391d1a8c71f464539954836521fd6a63f132cabfdb304e383d5720cf22/DSC06285.jpg" data-mid="227175715" border="0" src="https://freight.cargo.site/w/1000/i/4984b5391d1a8c71f464539954836521fd6a63f132cabfdb304e383d5720cf22/DSC06285.jpg" /> <img width="3504" height="2336" width_o="3504" height_o="2336" data-src="https://freight.cargo.site/t/original/i/3dd54188210069de5d4002cb7add975ba594c109c9f775d438b73238c59c2924/DSC06275.jpg" data-mid="227175711" border="0" src="https://freight.cargo.site/w/1000/i/3dd54188210069de5d4002cb7add975ba594c109c9f775d438b73238c59c2924/DSC06275.jpg" /> The project also simultaneously organized two storage spaces behind the exhibition venue, establishing a "Retrieval Room" and a "Reading Room." In the Retrieval Room, visitors can read the content they have requested, while in the Reading Room, staff members are invited to find and share documents from the storage room that they would like to recommend to the public. <img width="3543" height="1606" width_o="3543" height_o="1606" data-src="https://freight.cargo.site/t/original/i/fdc3d853f09e28ec43b8e8b91167c3c50ba85d5d664b7fe3d4351aa27308c90d/-1.jpg" data-mid="227175821" border="0" src="https://freight.cargo.site/w/1000/i/fdc3d853f09e28ec43b8e8b91167c3c50ba85d5d664b7fe3d4351aa27308c90d/-1.jpg" />《展場誌》觀看者-維護者-空間的對話術 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐒𝐩𝐚𝐜𝐞 𝐃𝐢𝐚𝐫𝐲: 𝐓𝐡𝐞 𝐃𝐢𝐚𝐥𝐨𝐠𝐮𝐞 𝐀𝐦𝐨𝐧𝐠 𝐕𝐢𝐞𝐰𝐞𝐫, 𝐂𝐚𝐫𝐞𝐭𝐚𝐤𝐞𝐫, 𝐚𝐧𝐝 𝐒𝐩𝐚𝐜𝐞》2024 12／21（六）- 2025 1／19（日） 臺南文化中心 文物陳列館一、二樓 策展人 楊佳璇 藝術家 林玉婷、蔡明岳、劉紀彤、陳為榛、黃奕翔 https://mingyuehtsai.org/After-it-became-backfill-soil Wed, 27 Nov 2024 08:55:03 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/After-it-became-backfill-soil 當土又堆了起來 After it became backfill soil2024&nbsp;總爺國際藝術村|駐村個展 台南，總爺藝文中心，紅磚工藝館 <img width="3334" height="3334" width_o="3334" height_o="3334" data-src="https://freight.cargo.site/t/original/i/8a1cd9b35e8fcf0396cf48af6d964ee08edd038a5add42b9f4f4d7ebc24b1ca2/_banner__800x800.png" data-mid="222485362" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/8a1cd9b35e8fcf0396cf48af6d964ee08edd038a5add42b9f4f4d7ebc24b1ca2/_banner__800x800.png" /> <img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/ddde195fff9c8c529d7a725787ef427725622f41a7d505b6199d45ccbceaaba0/0003.jpeg" data-mid="222485444" border="0" src="https://freight.cargo.site/w/1000/i/ddde195fff9c8c529d7a725787ef427725622f41a7d505b6199d45ccbceaaba0/0003.jpeg" /> <img width="9357" height="6238" width_o="9357" height_o="6238" data-src="https://freight.cargo.site/t/original/i/cf739d6040fbf06d43c0f9636821e523b45a779c8d98bae2bd82fdb3729c81c5/0022.jpeg" data-mid="222485455" border="0" src="https://freight.cargo.site/w/1000/i/cf739d6040fbf06d43c0f9636821e523b45a779c8d98bae2bd82fdb3729c81c5/0022.jpeg" /> <img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/bda96864d52c51f3c316396222c9017cfb6f528d856c5911507669660ffc98d3/1054.jpeg" data-mid="222485458" border="0" src="https://freight.cargo.site/w/1000/i/bda96864d52c51f3c316396222c9017cfb6f528d856c5911507669660ffc98d3/1054.jpeg" /> <img width="9289" height="6192" width_o="9289" height_o="6192" data-src="https://freight.cargo.site/t/original/i/eb5c304f61a7755197231706b4046018c81063b3f8621723e1065b6b27bb31bb/0008.jpeg" data-mid="222485453" border="0" src="https://freight.cargo.site/w/1000/i/eb5c304f61a7755197231706b4046018c81063b3f8621723e1065b6b27bb31bb/0008.jpeg" /> <img width="9240" height="6160" width_o="9240" height_o="6160" data-src="https://freight.cargo.site/t/original/i/f64689554dce4b5308b95e436d9cf9ad8024a423777fa5c9f5cefee0704e5002/3133.jpeg" data-mid="222485461" border="0" src="https://freight.cargo.site/w/1000/i/f64689554dce4b5308b95e436d9cf9ad8024a423777fa5c9f5cefee0704e5002/3133.jpeg" /> <img width="8741" height="5828" width_o="8741" height_o="5828" data-src="https://freight.cargo.site/t/original/i/073e1d76e01c4d69ec3edd1451464f36841ce4d0d21daa82954de4fc07a1e9cf/0025.jpeg" data-mid="222485456" border="0" src="https://freight.cargo.site/w/1000/i/073e1d76e01c4d69ec3edd1451464f36841ce4d0d21daa82954de4fc07a1e9cf/0025.jpeg" /> <img width="9289" height="6192" width_o="9289" height_o="6192" data-src="https://freight.cargo.site/t/original/i/918e0d498c79c4e2b65b6e3f404ca14136a0a18654af32d06df39098041cdbae/0019.jpeg" data-mid="222485454" border="0" src="https://freight.cargo.site/w/1000/i/918e0d498c79c4e2b65b6e3f404ca14136a0a18654af32d06df39098041cdbae/0019.jpeg" /> <img width="9240" height="6160" width_o="9240" height_o="6160" data-src="https://freight.cargo.site/t/original/i/cb687230812d4691d95d95374bd001d7c333d7d9a10bc0c92d5622c1e8a3b078/1073.jpeg" data-mid="222485459" border="0" src="https://freight.cargo.site/w/1000/i/cb687230812d4691d95d95374bd001d7c333d7d9a10bc0c92d5622c1e8a3b078/1073.jpeg" /> <img width="9378" height="6252" width_o="9378" height_o="6252" data-src="https://freight.cargo.site/t/original/i/338f3b958bbd36e3faec85121e4774e47e1ec7e88f8127bbc5970195893f6ca4/2105.jpeg" data-mid="222485460" border="0" src="https://freight.cargo.site/w/1000/i/338f3b958bbd36e3faec85121e4774e47e1ec7e88f8127bbc5970195893f6ca4/2105.jpeg" /> <img width="8884" height="5923" width_o="8884" height_o="5923" data-src="https://freight.cargo.site/t/original/i/457ebd715bbb01fe37ea55505e94461cab55043ea9d6a134273f6b0b23f0e324/6217.jpeg" data-mid="222485464" border="0" src="https://freight.cargo.site/w/1000/i/457ebd715bbb01fe37ea55505e94461cab55043ea9d6a134273f6b0b23f0e324/6217.jpeg" /> <img width="9240" height="6160" width_o="9240" height_o="6160" data-src="https://freight.cargo.site/t/original/i/e533e702f0e5953f6ca4f93a056c1e0f32ed3cb3da3a4d60125d855f96fe3f32/0035.jpeg" data-mid="222485457" border="0" src="https://freight.cargo.site/w/1000/i/e533e702f0e5953f6ca4f93a056c1e0f32ed3cb3da3a4d60125d855f96fe3f32/0035.jpeg" /> <img width="9199" height="6133" width_o="9199" height_o="6133" data-src="https://freight.cargo.site/t/original/i/f7e4ab88b3cb19e7191ac33bdda3fc078db00dfdce4ff8c94aa709cc8b4eff3e/6239.jpeg" data-mid="222485465" border="0" src="https://freight.cargo.site/w/1000/i/f7e4ab88b3cb19e7191ac33bdda3fc078db00dfdce4ff8c94aa709cc8b4eff3e/6239.jpeg" /> 展場攝影：珊瑚攝影工作室(@sunhoophotography) <img width="3507" height="2480" width_o="3507" height_o="2480" data-src="https://freight.cargo.site/t/original/i/f8f4830978e18c9fd03a88844921de8b675dacbdc622d0daff7ff9abc8a332cf/-0905.jpg" data-mid="222485985" border="0" src="https://freight.cargo.site/w/1000/i/f8f4830978e18c9fd03a88844921de8b675dacbdc622d0daff7ff9abc8a332cf/-0905.jpg" /> 官田鄉志上的考古紀錄裡，記載著「國母山」，它是新石器時代中、晚期的考古遺址。當地人說那裡曾經是墓地、美軍設施、風水穴位。麻豆段高速公路建設時將之剷平，取其土造路。 這件移除的事件一直讓我很好奇，故在駐村於總爺國際藝術村的期間拜訪國母山被移除後的遺留碎片，包含在原址上一座疑似被遺留下來的土丘。 作為一位長期收集「土丘」的愛好者，每次若說出「誒 我剛剛看到一座土丘......」，就會面對語言對於土丘的範圍、輪廓難以精確描述的處境，甚至回頭也不見得能再次找到描述對象的經驗，「描繪的困境」似與我回顧國母山事件的過程有相對應之處。故在展覽裡，我以「談論土丘」的方式，重新詮釋回顧國母山的經驗。 It was Kuo-mu-shan Mountain, a name that showed up in the records of Guantian Chronicle, an archaeological site containing remnants from the middle and late Neolithic period. Locals say there was once a cemetery, a U.S. military facility, and even a feng shui spot. However, it was leveled for the construction of the National Highway’s Madou section, its soil used for the road. This act of removal has always intrigued me. During my residency at the Tsung-Yeh Arts and Cultural Center, I visited the fragments left behind after Kuo-mu-shan Mountain was leveled, including what appears to be a mound that might have been left at the original site. As a long-time enthusiast of collecting “mounds” every time I say, “Hey, I just saw a mound...,” I encounter the challenge of language failing to precisely describe the scope and contours of a mound. Often, even if I try to revisit the object of my description, I may not be able to locate it again. This “difficulty in depiction” seems to resonate with my process of revisiting the events surrounding Kuo-mu-shan Mountain. Therefore, in this exhibition, I reinterpret my experience of reflecting on Kuo-mu-shan Mountain through the act of “talking about mounds.” 聲音創作：張君慈 展場紀錄：珊瑚攝影工作室(@sunhoophotography) 翻模協力：宋相邦 計畫合作：長短樹鄉村研究所（執行《越過土丘》調查計畫） https://mingyuehtsai.org/Cinema-Skateboard Wed, 27 Nov 2024 12:40:51 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/Cinema-Skateboard Cinema SkateboardParticipate in 2024 Jakarta biennale , "Topography of Mirror Cities" session Video Submission and Screening Event(Oct. 3 at Taman Ismail Marzuki, TIM) 2 DAYS STUDIO (Lin Yu-Sheng,Chen Yi-Wen) &amp;&nbsp; Tsai Ming-Yueh, (Taiwan) "Skateboard Cinema" is a collaboration between 2 DAYS STUDIO and Ming-yueh Tsai . 2 DAYS STUDIO is a collective of artists and journalists whose projects often explore social mechanisms through the creation of mobile devices. Ming-yueh is an independent curator and artist whose recent projects focus on social transformation, institutional systems, and methods of knowledge construction. Their collaboration began after participating in Gudskul's project at documenta fifteen, and this partnership primarily examines social institutions and cultural frameworks through guerrilla-style events. For this project, 2 DAYS STUDIO designed the mobile screening device, while Ming-yueh, Tsai curated an open call and film program under the theme "Restore the soul." “Skateboard Cinema” is a mobile video screening project and a screening platform. In the Jakarta biennale 2024, they have chosen "Restore the soul" as the theme for submissions. During the biennial, they will be collecting submissions from Taiwan and Indonesia, and will conduct mobile screenings outside the biennial exhibition venues. "Restore the soul" can refer to the restoration of one's inner spirit and psyche; however, in a social context, it can also be used to call for the restoration of a certain collective spirit. They use this theme to imagine the balanced relationship between individuals and their external environment. Video, as a convenient contemporary form of personal recording and expression, also mediates our understanding of the environment. This event concluded on October 3rd, featuring artists from Taiwan, Indonesia, and South Korea. They divided the videos into three themes and screened them at three different locations near Taman Ismail Marzuki. Playback sequence： Part 1 “All about moving” RAMA HILAL, 00’57’’, IndonesiaDUTA ADIPATI (2), 01’00'', IndonesiaRAIHAN IRFAN 2, 01’26’’, IndonesiaChang Li Chueh, 05’04’’, TaiwanRohkong_drawing_finland, 01’23’’, KoreaRohkong_hanoi exhibit, 02’10’’, Korea2Days Studio_No More Convenience store, 05’18’’, TaiwanIlham sulaeman (2), 00’41’’, IndonesiaChang Fang Han, After hours in the mall, 01’17’’, Taiwan Ke Yung Chien, koyc’s iphone-1, 00'14'', TaiwanSingerJung_revisit, 03’54’’, KoreaDUTA ADIPATI (1), 01’00'', Indonesia Part 2 “Appreciate your effort” TEMPAT KEMBANG BERSAMA ART COLLECTIVE, 00’22’’, IndonesiaPeichun LAI-1, 00’24’’, TaiwanJason Goh, 00’35’’, TaiwanRIVALDY ANUGERAH, 01’01’’, IndonesiaJudy Lee, This is how I restore my soul-My baby nephew, 01’08’’, TaiwanRohkong_paperartwork, 00’33’’, KoreaRIVALDY ANUGERAH 2, 01’33’’, IndonesiaFALA CHEN_My Ball, 00’24’’, TaiwanKe Yung Chien, koyc’s iphone-3, 00’21’’, TaiwanPeichun LAI-2, 00’17’’, TaiwanEZA_ALHAFIDZ_REDOCUMENTING_MEMORIES, 03’00’’, IndonesiaILHAM SULAEMAN, 00’58’’, Indonesia Part 3 “Say more when you're tripping” FORTUNE POOKIES, 00’51’’, IndonesiaCheng yin Chen, See saw, 01’23’’, TaiwanKe Yung Chien, koyc’s iphone-2, 00’25’’, TaiwanLU CHIH KAI, Cloud, 03’09’’, TaiwanIris Chun-Tzu Chang, snooooze, 00’37’’, TaiwanTzu-An WU, Proxy of Heaven, 07’31’’, TaiwanRAVIADHANA WIBISONO, 01’25’’, IndonesiaAlienpang, stresrilis, 00’35’’’, IndonesiaTYRELLE AMARU, 00’55’’, IndonesiaHAURA KHALISHA, 00’11’’, IndonesiaAlienpang, hajatan, 00’23’’, IndonesiaGregorius B Yoris Riberu 01'07'', IndonesiaDUTA ADIPATI (3), 01’00’’, IndonesiaMing yueh Tsai, 25CM LINE GUA SHA ON 3 FRIENDS&nbsp; ON SCREEN, 04'24'', TaiwanRAIHAN IRFAN, 00'18'', Indonesia https://mingyuehtsai.org/Kaohsiung-Dada Fri, 29 Nov 2024 02:07:44 +0000 Ming-yueh Tsai - 蔡 明 岳 https://mingyuehtsai.org/Kaohsiung-Dada Kaohsiung DadaＣollaboration with Scutoid coop 2022, mixed media installation, various sizes 《群策群學/The Collective school》 時間：2022.10.03~2023.04.01 地點：CCG Library, Asia Art Archive | 亞洲藝術文獻庫 | 華懋藝文圖書館, Hong Kong For the Collective School exhibition, together with Scutoid coop members Yung-Chien KE presents the archive of Kaohsiung Dada, a fictional art collective active in Taiwan in the 1990s—contemporary to the art collective Xiamen Dada, known for their performances critiquing art institutions in China during this period. Bringing together documents and artefacts such as sketches, manifestos, books, and daily objects, the installation narrates an imagined account of artistic activity. Through this installation, we reimagines the archive as a powerful tool of fiction, transforming the collective into historians and archivists who question the very formation of history. Learn more about the exhibition here: https://www.aaa-a.org/programs/the-collective-school<img src="https://lh7-rt.googleusercontent.com/docsz/AD_4nXe0TcSKAaKXh6Zg5QfAR_-okAyu90gGsS2Qf5D-TFsm5faqiwArSvhzcHppCPrI-EGCX2zLsXxMS3DI2PWFZqKEnp4KXHxe1RIGc2iFbsMdikUMdTGci5bL8apqelZToc41mHc9F01SLksgNxqBVASkGkQO?key=p-i0PvUXq-vNdE71PYRAZw" width="547" height="410" style="width: 547px; height: 410px;"><img src="https://lh7-rt.googleusercontent.com/docsz/AD_4nXeURAymOlJI5Yr9e5y467nMK8otVhPXEDHAuHctuUhWNBNjinJtno3N8ounEyzU5pc88Sz36fCZ6cw3dBkObOusYr_pajT-B47YdvXzCM1ybDSn0HmqXVDip5oSzZhm6Mgxihp-eOUiT5OTIUabj0JBOKy_?key=p-i0PvUXq-vNdE71PYRAZw" width="548" height="410" style="width: 548px; height: 410px;"> Image from Asia Art Archive 亞洲藝術文獻庫